
LOOKBOOK | Village hiker or poser?
3 days ago
For the Chosen Few

Harry Beck’s easy to understand design was based on an electrical wiring diagram and provided an elegant solution to the problems posed by the complexity of the London Underground. It also established design principles that remain relevant today.
Once a symbol of London to visitors from all over the world unfortunately now only a few of Douglas Scott and Colin Curtis’s Routemasters remain on London’s streets.
The superlative Battle of Britain fighter with its distinctive elliptical wings was designed by R. J. Mitchell who sadly died before the plane went into production. The plane’s elliptical wings gave it a higher speed than most of its contemporaries as well as an iconic silhouette.
Sir Giles Gilbert Scott’s design bright-red phone box always stood out on the streets of the UK. Famous for Battersea Power Station and Liverpool's Anglican Cathedral, Sir Giles followed architectural cues in his submission to the GPO's competition to design a telephone kiosk. The K2 was an instant design classic.
Mary Quant rewrote the fashion rules for women forever with her daring design.
Aerospatiale and BAC’s supersonic jet was capable of twice the speed of sound and beautiful to look at too. Strictly speaking, Concorde is an Anglo-French design classic, having been jointly created by BAC and Aérospatiale. Rumours still abound that Russia's Tupolev Tu-144 (or Concordski) was developed from blueprints obtained through espionage.
George Carwardine’s flexible design brought light wherever it was needed. The Anglepoise lamp sprung from his background in designing suspension systems for cars, and uses springs to replicate the function of human muscles.
Sir Alec Issigonis made use of every available space in the small car that was as much a fashion statement as a means of transport. The first Mini rolled off production lines 50 years ago. This revolutionary car became an icon of the 60s and remains one of the most striking and familiar pieces of British design.























So here is to getting wet with Savoir Faire!
Now this brings us to his collection for men for Spring Summer 2011. While loving Spring Summer 2010, this year’s collection is a lot more refined.
Where as 2010 there was a large emphasis on pattern and colour which would make the average man in the street run a mile, I think this season’s collection has something for everyone.


The pattern and the texture is still there, however it is not the emphasis of the collection. Pattern is there if you want it, if not there are plenty of other pieces to choose from.
Colours are more in keeping with what the modern man wants. While not exploring any singular group of colours, there is a wide range to satisfy even the most reticent among us with something.

What do you think?