“Women dress alike all over the world: they dress to be annoying to other women”
so said Schiaparelli who dared us all to dress differently.
For the Chosen Few


First we can douse ourselves in Caron’s Royal Bain de Caron. Originally launched in the early 20’s as Royal Bain de Champagne, the story goes that it was created for a Californian millionaire who ordered it so that it could be used as a substitute for the real champagne that he liked to pour in his bath. This order which could have been motivated by the excessive strictures of Prohibition is so Gatsbyesque that it reeks of savoir faire. So, if you would like to relive a Fitzgeraldean moment, pour some in your bath! One source mentions that William Randolph Hearst is the millionaire in question and that it was meant to be used by "his wife" whatever that might mean concretely (Millicent Hearst or Marion Davies?).
If you want to indulge and celebrate in another way this Lollipop is the ultimate extravagance, for those who have everything. It is made by hand with genuine 24 carat Californian gold flakes and flavoured with…. You guessed it! Champagne!
Feeling creative?? The Champagne Chair Contest run by Design Within Reach in Washington DC is an annual event to make the best miniature chair using only the foil, label, cage and cork from no more than two Champagne bottles. Displayed in little plexiglass cubes, the champagne chairs display some pretty impressive craftsmanship.
Earlier on I did a post on that wonderful arbiter of savoir faire, Paul Poiret, however where would Poiret be without Jacques Doucet. Doucet was practically a mentor to a young Poiret, and influenced him for the rest of his life, from his design aesthetic to what art he should purchase. Poiret had done ‘time’ with Doucet and remained a lifelong friend even after opening on his own.
Born in 1853, he was renowned for his elegant dresses of diaphanous, translucent materials in superimposing pastel colours. An enthusiastic collector of eighteenth-century furniture, objets d'art, paintings and sculptures, many of his gowns were strongly influenced by this opulent era. A designer of taste and discrimination, Doucet valued dignity and luxury above novelty and practicality and therefore gradually went out of popularity during the 1920s. By far his most original designs were those he created for actresses of the time. Cecile Sorel, Rejane and Sarah Bernhardt. All often wore his outfits, both on and off the stage.



Dubrujeaud Comode also owned by Doucet


Although in the 1920s he was aging and his couture house merged with another lesser firm, and eventually closed, he never lost touch with foreseeing the needs of the French luxury goods market.