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The 14th -15th Century Palazzo Pucci has been in the Pucci family since it was built and is a standing testament that old and new can coexist together.
Marchesa Cristina Pucci di Barsento, widow of Emilio Pucci, still remembers how astonished she was when she first entered the house, back in 1959: ‘I was very young and quite astonished: It was a heavy house, even severe, like Florence’. Still, what looked like a timeless palazzo outside was a living house inside.
Pucci can be given credit for revolutionizing couture in the 1960s with his vibrant designs and colour and an aesthetic that was totally out of place within the environs in which his clothes were created. However the history of the Pucci family and their business interests gave rise to an evolutionary trend that had its epoch with Emilio Pucci.
The late-18th-century fresco in the dining room, by Luigi Ademollo, depicts Aenes leaving Troy. Marchesa Pucci and her husband added the Venetian chairs. The crystal glassware was made for the family in the 18th century.
The 17th-century bed in Emilio Pucci’s bedroom was made in Lucca and it was among Pucci’s favourite pieces. The gilt woodwork on the headboard echoes the embroidery on the canopy.
The Wedgwood room was created by an English artist in the late 18th century. The palette and Neo-classical plasterwork were inspired by the signature ceramics. An 18th-century marble sculpture of the goddess Diana is at center.
“My husband loved and respected this house, and we changed little. He was very kind to me and didn’t want to teach me. He understood that some things should be kept the way they are, but he didn’t say, ‘Do this; don’t do that.’ And it was not necessary, because I didn’t want to interfere with the palazzo.” 
