I Love a Sunburnt Country

I usually don’t post about current events on Savoir Faire, however this one is just a little too close to home. As an ex-patriot Australian living in Canada, my thought’s are with those back at home who are inundated with flood waters and torrential rain. Luckily I do not have any family in the affected areas, however I would be un-patriotic if I wasn’t concerned.

With more rain and flooding predicted with Australia’s third largest city Brisbane soon to be inundated the situation is getting worse.

The good thing is that we Australian’s are a resilient lot. We will pick ouselves up, brush ourselves off and carry on.

To quote Dorethea McKellar in her iconic poem about Australia “My Country” written in 1904,

I love a sunburnt country,

A land of sweeping plains,

Of ragged mountain ranges,

Of droughts and flooding rains.

I love her far horizons,

I love her jewel-sea,

Her beauty and her terror

The wide brown land for me!

Are they Antlers On Your Wall?

As a trend Antler’s have probably done their dash. Herded like reindeer or moose they have popped up in all aspects of design and style these days. Whether from the catwalk to the latest in interior design the antler is appearing quicker than you can dispose of those tacky dollar store antlers everyone dons at sometime over the Christmas Season.

So at the moment nature is in and particularly the antler. Although some say it has done its dash, it has not hit mainstream design. We have yet to see it in Pottery Barn or the likes, which still gives the antler time to for us mere mortals here at Savoir Faire to still champion its cause.

It’s an iconic indication of some sort of rural lifestyle, I guess,” said the designer Rogan Gregory, who briefly displayed antlers in his store on Franklin Street. “It’s like, if a store has antlers on the wall, that somehow makes them legitimate.”

Conjuring up images of cottages and chalets, it is reinforcing our love of nature albeit in a strange way. Gone are the dusty old examples hanging on Great Uncle Angus’ wall above the fireplace. In their place we have wonderful, chandeliers, lamp bases and coffee tables fashioned out of Rudolph’s headgear.

Fashion is starting to embrace the trend with fashionable young hipsters wearing the motif screen-printed on T-shirts or fashionistas sporting antler earrings or pendants.

Used in countless fashion editorials, antlers are harking to a fantastic world full of lavish excess. Taking the antler out of its natural environment stylists have elevated it to levels of modern day glamour. On men and women we have seen them parade down catwalks in herds, turning the wearers into modern day Vikings, ready to conquer to new worlds.

Adorning handbags and shoes it is reinforcing our hunter instincts by wearing the spoils of our shopping trips like trophies for all to admire.

Wallpapers, single motifs on walls or gift tags the antler is bringing nature in doors, so that all that is needed to conjure up the look is a fertile imagination and a can of paint, instead of tramping the hills of Scotland for discarded pairs.

Not to escape our increasing urges to get fit the bicycle below is sporting antlers has handlebars.

So go ahead, and have fun, even if you have to resurrect Great Uncle Angus’ antlers, and make candelabra out of them!

The Evening Jacket With Savoir Faire

Savoir Faire is just loving these series of jackets for men, for hitting the town in party mode!

These are all by different designers and follow the same train of thought, Why should women have all the sparkle?

With designers such as McQueen and Raf Simons represented , these certainly ooze savoir faire.
However for the man who is not afraid to try something different and new, they are so glam!

The detailing and the amount of workmanship is highly evident even with the shadowy photography, which leaves us wondering what the overall effect is.

Not for your average night out on the town but for something truly special, cut a dash and try one of these on for size!

Savoir Faire has Gone to the Dogs

What better way to spend your weekend with savoir faire. Break out the hounds and spend it in the Mediterranean!

Savoir Faire Italian Style

Only half way through winter and design houses and Savoir Faire are already thinking of what we are going to wear in Spring/Summer 2011? I know it seems a bit pre-mature for this, but hey we need something to keep our minds off the snow that is starting to accumulate outside! I am always impressed by the Italian's innate sense of style and their designers. One that always manages to impress is Bottega Veneta.

Now, I am not some young 20 year old, however there are certain elements from the 2011 Spring/Summer Collection which I would wear. Thomas Maier for Bottega Venata is taking us on a summer holiday filled with mixes of hyper casual and semi formal in outfits in a monochrome colour pallet.

The emphasis here is on a fine balance between technicality and refined technique mixed the ease and movement of athletic wear.

The ease of movement behind these super smart casual suits does not betray the fabulous tailoring that is lurking beyond those seams. They are classic and would suit any man who wears his clothes with confidence.

Even these are short shorts, the styling is brilliant, in a Indiana Jones meets Tarzan sort of way.

Although colours border on shades you might find in camouflage wear, they are just right when presented as a whole.

Definitely something to translate into our everyday style!

A rose is a rose is a rose

“What's in a name? that which we call a rose
By any other name would smell as sweet;”

(Romeo & Juliet Act II, Scene II)

For most the rose is a symbol of romantic love, however to the designers of these modern day posters for various Shakespeare plays, more than romance is implied.

During Shakespeare’s time the rose took on a number of other associations, representative of both the divine and the profane. The image of the rose was used in both religious and secular contexts to represent a multiplicity of different images and settings, to invoke a variety of intellectual and emotional responses from those who encountered it, and ultimately, to mediate between the human and the divine.

The images below illustrate this perfectly. The roses depicted here are charged with emotion and passion. Some fearfully laden with doom and violence, they hint at the unknown.

Of course it could be a given for illustrating Romeo and Juliet with the image, but Hamlet? This is a masterstroke! To me not only death is implied but the long lost friendship which has been cruelly taken away from our young prince.

Henry IV clutching a rose in place of a crown! Symbolism is high here, with the play taking place during the War of the Roses. The rose takes on the symbol of victory in place of a crown. However, the victory is not all sweet, but painful as well with the blood trickling down the palm of the hand.

The Polish poster for Love’s Labour’s lost hints at the bitter twist at the end of the play which was unusual for Shakespeare. The rose again is prominent again symbolising both love and death

So shall we believe Gertrude Stein when she so candidly writes “A rose is a rose is a rose”?

Looking to the Future

Over the last couple of years Parfums Piguet have been riding high on the re launch of some of the most iconic fragrances of the late couturier’s repartee, most notably the fabulous Fracas and Bandit of the late 1940’s.


Piguet opened couture house in Paris, 1933 with Pierre Balmain, Christian Dior, and Hubert de Givenchy all studying under his tutelage. He enlisted the noses of Germaine Cellier and Francis Fabron in the creation of his singular fragrances such as Fracas, stunning and as original as his gowns...

So at the start of the New Year let’s look to the future with the latest relaunch from Piguet in the signature black bottle, Futur!

The signature black bottle just reeks of refined simplicity, elegance and savoir faire!

When Futur by Robert Piguet was originally launched ca.1967 Monsieur Piguet had been dearly departed for 14 years and the couture house had closed its doors for an even longer period of time. Once a couturier was dead a sure fire money spinner is the production of perfume relying on the name alone to sell.

At it’s launch Futur was heralding in the space age as envisaged by Cardin and Courreges. The closely cropped bobbed hair and the enormous water drop earring are heralding this new age. Twiggy was a feminine ideal then and so the model resembles her. Futur in order to make sense to a young audience in 1967 needed to borrow from the signs that felt relevant and especially, current, especially since coming from a closed couture house.

Not exactly knowing how long the original was around for, Piguet have updated the image to be more concurrent with this day and age with out much reference to the future as previously imagined. If anything it has extreme fetish undertones which maybe what Piguet sees of the future.

Who knows what the Future holds?