How many of us are not familiar with the cheongsam? This wonderfully simple and elegant dress which when we think of when Chinese fashion springs to mind along with the most unglamorous Mao Tunic.


A derivative from the rather shapeless garments that prevailed for both men and women during the Qing Dynasty when the Manchu ruled China, the modern day version had its roots in Shanghai during the 1920’s. Shanghai being China’s main commercial port was a melting point for Chinese and westerners alike, so it was only natural that traditional Chinese dress was modified for western tastes.

Chinese women eagerly sought a more modernized style of dress and transformed old traditional styles of clothing to suit their tastes. Slender and form fitting with a high cut, it had great differences from the traditional mode of dress, however it was high-class courtesans and celebrities in the city that would make these redesigned tight fitting dresses popular at the time.

As Western fashions changed, the basic cheongsam design changed too, introducing high-necked sleeveless dresses, and bell-like sleeves.


Come 1949 and we all know what the Communist Revolution did for fashion in China. Gone were the exquisite silks and brocades only to be replaced by the Mao Tunic (a fashion statement all on its own). As a result, the mass exodus of the local Shanghai populace to Hong Kong ensured that the cheongsam would become even more popular in Western culture.

Women in the Hong Kong workforce in the 1950’s adopted the cheongsam in more functional fabrics as everyday wear.


Films such as The World of Suzie Wong with Nancy Kwan cemented the hold the cheongsam would have over Western fashion, with pattern companies such as Simplicity offering versions where American housewives could whip up their own piece of Oriental glamour.


Open to interpretation by modern designers the cheongsam has become a staple in many a wardrobe and can be seen in many areas where a Chinese style look is desired. It was also nice to see the Swedish Olympic Team of 2008 adopt a form of the cheongsam as a nod to their hosts.

Unfortunately sometimes the cheongsam can appear kitsch, however I know that done right it is a knockout!








Invitations composed six months in advance included the Aga Khan III, Barbara Hutton, Gene Tierney, Countess Jacqueline de Ribes, Jacques Fath, Duff and Lady Diana Cooper, Orson Welles, Daisy Fellowes, Salvador and Gali Dalí, Christian Dior, Arturo Lopez-Willshaw, Patricia Lopez-Willshaw, Deborah Cavendish, Duchess of Devonshire, Princess Natalia Pavlovna Paley, Hélène Rochas, Princess Caetani, Princess Colonna, Prince Mathieu de Brancovan and countless others .Winston Churchill and the Duke and Duchess of Windsor were invited but did not attend. (I bet they were kicking themselves!)
One party imitating the splendors of China arrived in a Chinese Junk. Baron Alexis de Redé who was part of the group remembers "I was an attendant in their suite, with a fantastic Chinese crown, staff and sword, looking, I confess, rather like the last 'boy' emperor. Our costumes were exact copies of those in the famous tapestries, 'the Voyage of the Emperor of China'.
The couturier Jacques Fath and his wife, with Fath dressed as the Sun King, had to remain standing in his gondola because “his posture [was] dictated by a costume so perfectly fitted and heavy with embroidery that he could not sit,”
Daisy Fellowes came as the Queen of Africa dressed by Dior. She was not feeling well the night of the ball, so she rested beforehand on a sofa before making her entrance. When time to enter, she rose from the sofa and made an entrance that would leave all green with envy. "She was by far the most elegant person at that ball. I have never seen anyone walk as beautifully as she did. She had in-born style." Baron de Redé said.
Just the sight of all this Savoir Faire must have been overwhelming and tiring within itself, without the prospect of being social for another 5 or 6 hours! Nobody does it like this anymore!

Written by Australian Joan Lindsay PICNIC AT HANGING ROCK tells the mysterious tale of a group of schoolgirls and one teacher who, on Valentines Day 1900, disappeared up on Hanging Rock (a mysterious rock formation) in Victoria Australia , never to be seen again. To this day, there is still a great deal of confusion and misunderstanding surrounding the story by the general public.
Although she commands little more than half an hour of screen time, the film's central character is Miranda, a young student whose beauty is compared by Mademoiselle de Portiers to one of Botticelli's angels. 














