You could always tell a woman who was dressed by Schiaparelli. Her clients were women who were assured of themselves and ever so confident. If you wanted people to talk you wore Schiaparelli. The originality of her couture translated well into the period before the World War II. The depression had ended and people were optimistic about the future and thus willing to undertake a few risks when dressing.
Of course there were strong surrealistic undertones at Schiaparelli however I believe a good many of her ideas were just pure fantasy. If you couldn’t afford Schiaparelli with a few clever innovations and the right accessories, you could give the appearance that you did. Even after the couture salons closed in the early 50’s accessories were still being produced, which could give you the Schiaparelli edge.
Newspaper printed silk was used for dresses and scarves, and who but Schiaparelli would make sure that the articles represented were about herself!

Buttons were never conventional, every shape and figure from acrobats, butterflies and stars cascaded down jackets and coats.